tag:blogger.com,1999:blog-8427944003603852488.post7042792219601424038..comments2023-09-23T11:52:22.009-07:00Comments on BOOM'S DUNGEON: Settling the 'score': Comments and Replies IIIBoomhttp://www.blogger.com/profile/16254294523764695548noreply@blogger.comBlogger3125tag:blogger.com,1999:blog-8427944003603852488.post-28483173811860036502009-12-23T08:44:41.566-08:002009-12-23T08:44:41.566-08:00Blogger sasha said...
>> so much as music ...Blogger sasha said...<br /><br />>> so much as music is an acoustical phenomonem and takes place over real-time the reading of a score, however successful, cannot surely be said to be analogous to a performance of that music (the same goes for a reading of a play). <<<br /><br />Ah, Sasha, I wish I thought of "reading a play" example! A novel needs nothing more than my Boomhttps://www.blogger.com/profile/16254294523764695548noreply@blogger.comtag:blogger.com,1999:blog-8427944003603852488.post-71450850777846523082009-12-22T07:45:57.472-08:002009-12-22T07:45:57.472-08:00Saxpirator did not exist before today, although in...Saxpirator did not exist before today, although instructions for building one existed for nearly sixty years'. Perfectly put..Can't state it any more perfectly than that..The realtionship between composer, score, performer and listener is an interesting one..Worth pondering..And the analogy with dramatic work is also one I like..One area of contention though over performance and study of sashahttps://www.blogger.com/profile/12645535991901545528noreply@blogger.comtag:blogger.com,1999:blog-8427944003603852488.post-54759119385575776982009-12-20T21:15:05.179-08:002009-12-20T21:15:05.179-08:00Boom:
Thanks for not being too hard on me!
I mus...Boom:<br /><br />Thanks for not being too hard on me!<br /><br />I must disagree, although not at length, on the differing ontological status of the recently-discovered Barraqué Violin Sonata and the "saxpirator." On this point we will have to continue to disagree: as a composer I can assure you that a score is both a set of instructions for the (hopeful) future use of performers AND mareadyhttps://www.blogger.com/profile/15479051354752206980noreply@blogger.com