July 4, 2016

The Blah-Blah Studies

A couple of days ago, against my better judgment, I picked up Edward Said's book Musical Elaborations at my local library.  The title of the fist chapter - Performance as an Extreme Occasion - sounded intriguing.  The expression "extreme occasion" seems apt for describing an armed bank robbery or a jetliner's engine fire during takeoff, which is why I could not wait to find out what exactly is "extreme" about playing a musical instrument for a paying audience.